Content Curation World
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Content Curation World
What a Content Curator Needs To Know: How, Tools, Issues and Strategy
Curated by Robin Good
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You Can Be a Trusted Guide To The Most Relevant Information Online: Not Google

You Can Be a Trusted Guide To The Most Relevant Information Online: Not Google | Content Curation World | Scoop.it



Robin Good's insight:



Matt Rosoff writes on Business Insider UK:

"A lot of people think Google Search is like a map: An objective guide to the best and most important material on the internet. It's not.


Google Search is the most important product of a very wealthy and successful for-profit company. And Google will use this product to further its own commercial ends." (Not to help people find the most relevant info to their own learning needs.)


This is an excellent article that should be read a couple of times slowly to remind oneself of Google key aspirations and limits.


In it, the author illustrates with relevant references how Google uses whatever means it has to further the interest and revenues generated by its search engine ad business (AdWords / AdSense).

 

It also highlights, that like any other dominant, monopoly-like company it risks of being challenged in courts around the world, and this is "what Google desperately wants to avoid. If a government body issues a formal legal ruling that Google Search is an anticompetitive monopoly that needs to be regulated, it opens the floodgates".

Meanwhile Google Search is and will be increasingly challenged by smaller but more relevant, specialist search engines, like Amazon or Yelp.


But Google, hungry by its profit-driven goals, keeps also increasing the amount of information it provides itself inside search results, versus original content and resources that are out there on the web.


In four years time Google has doubled the amount screen real estate that it uses to promote its services or ads.


All of this to say, that Google is a for-profit company and not a humanitarian endeavour built and maintained to provide a true guide to the best information available online. 




For whoever has the interest, passion and skills to search, filter and organise information this is important news. 

There's an opportunity to provide higher quality, better vetted information results than Google presently does. At least in some areas. 

If Google is too busy about serving ads and pushing its own services, there will have to be someone else who can provide to Google, or other search engines, trusted quality search results on specific subject matters. 


As for Google there is one area where it cannot really compete with talented humans: trust. 


True information curators, of the expert kind, may indeed become in great demand in the near future. And personal trust will determine which one you and I will rely on. Whether Google will exist or not.



Right to the point. Informative. 9/10


Full article: http://uk.businessinsider.com/google-is-not-a-charity-2015-3 

WSI Digital Wave's curator insight, April 2, 2015 7:22 AM

https://plus.google.com/+PaulMathewsWSI/posts

Nedko Aldev's curator insight, April 5, 2015 12:21 PM

 

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Rescooped by Robin Good from Curation Revolution
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Why I Don't Like Scoopit Links on Twitter

Why I Don't Like Scoopit Links on Twitter | Content Curation World | Scoop.it

I’m seeing more Scoopit links in my Twitter stream and I’m not crazy about it.  Sure it’s quick and easy to share with Scoopit.  But it not quick and easy to consume. For me it's all about the econ...

Marty Note (here is comment I wrote on Dr. V's blog)

Appreciate Bryan’s and Joseph’s comment, but I rarely use Scoop.it as a pass through. More than 90% of the time I’m adding “rich snippets” to content I Scoop.

Rich snippets are “blog” posts that fall between Twitter and the 500 to 1,000 words I would write in Scenttrail Marketing. I often create original content ON Scoop.it because whatever I’m writing falls in the crack between Twitter’s micro blog and what I think of as needing to be on my marketing blog.


I was taught NOT to pass through links on Scoop.it early on by the great curator @Robin Good . Robin has well over 1M views on Scoop.it now and his advice along with the patient advice of other great Scoop.it curators has my profile slouching toward 150,000 views.


Bryan is correct that some curators new to Scoop.it haven’t learned the Robin Good lesson yet. I agree it is frustrating to go to a link and not receive anything of value back, to simply need to click on another link. Curators who pass through links won’t scale, so the Darwinian impact will be they will learn to add value or die out.


For my part I always identify my Scoop.it links, probably about half the content I Tweet and about a quarter of my G+ shares. I also routinely share my favorite “Scoopiteers”, great content curators who taught me valuable lessons such as don’t simply pass through links but add “micro blogging” value via rich snippets.


When you follow or consistently share content from a great curator on Scooop.it you begin to understand HOW they shape the subjects they curate. I know, for example, Robin Good is amazing on new tools. Scoop.it anticipated this learning and built in a feature where I can suggest something to Robin.


This is when Scoop.it is at its most crowdsourcing best because I now have an army of curators who know I like to comment on and share content about design or BI or startups and they (other Scoopiteers) keep an eye out for me. There are several reasons Scoop.it is a “get more with less effort” tool and this crowdsourcing my curation is high on the list.


So, sorry you are sad to see Scoop.it links and understand your frustration. You’ve correctly identified the problem too – some curators don’t know how to use the tool yet. I know it is a lot to ask to wait for the Darwinian learning that will take place over generations, but Scoop.it and the web have “generations” that have the half life of a gnat so trust that the richness of the Scoop.it community will win in the end and “the end” won’t take long.


To my fellow Scoop.it curators we owe Bryan and Joseph thanks for reminding us of what Robin Good taught me – add value or your Scoop.it won’t scale. That lessons is applicable to much more than how we use Scoop.it.


Marty

Added to G+ too
https://plus.google.com/102639884404823294558/posts/TUsNtsAsjWp

 


Via Martin (Marty) Smith
Robin Good's insight:

Well, I can't really agree more with Marty's point.

On the other hand Scoop.it, and a number of similar platforms,  are heavily promoted as a content marketing platforms that promise to a) save you time and b) allow you to post more content.

And then, unless you heavily moderate and surface editorial models that can guide other users, you tend to level down to the lowest common denominator. 

This is what I see happening and I regret it as well.

Thanks Marty for highlighting it. 

Martin (Marty) Smith's curator insight, August 21, 2014 1:11 PM

add your insight...


Dr. Karen Dietz's comment August 22, 2014 2:07 PM
Right on Marty! I'm re-scooping this as a way to help that learning along about how to really use Scoop.it well and leverage it.
Bob Connelly's comment, November 23, 2014 7:11 PM
Being new to Scoop.it, I was glad to read this. I wouldn't have thought about this...
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Artists and Not Algorithms Should Curate Our Music Discoveries

Artists and Not Algorithms Should Curate Our Music Discoveries | Content Curation World | Scoop.it

Robin Good: Maurice Boucher takes a stand for human curators in the arts, by placing string emphasis on the fact that purely alorithmic solutions cannot really discern people expressed needs and desires from unexpressed ones.


His central point is this: "At the heart of the online music curation role is the possible solution to the expressed need versus unexpressed desire problem that permeates the Internet and prevents us from developing internet culture beyond purely commercial interests."


He writes: "...I know of no algorithm that can work out the difference between what people ask for and what they actually desire.


That is the philosophical question that really is the core software requirement of a music recommendation engine, and music curation is an ideal testbed case to see if we can build a layer on the internet to act as verification of the search process.


...communicating socially and informally (with strangers) and sharing music is not enough to build a bridge between what people ask for and what they desire.


People have to have a sense that some agency is acting at least semi-exclusively for them and has some insight into who they are."


"At the heart of the online music curation role is the possible solution to the expressed need verses unexpressed desire problem that permeates the Internet and prevents us from developing internet culture beyond purely commercial interests."


"The artists have to be included in the equations that run the algorithms of curation and filtering for the internet to have a future beyond being just another compendium of useless facts and trivia."



Rightful. 8/10


Full article: http://north.com/thinking/guest-post-web-curation-and-filtering-defining-new-roles-for-digital-artists/



No comment yet.
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The Curators Conference: New York, September 5th

The Curators Conference: New York, September 5th | Content Curation World | Scoop.it

Robin Good: Featuring the likes of fashion blogger Susie Bubble, filmmaker Gia Coppola, Evan Oresten from Cool Hunting and Carrie Scott of SHOWStudio to Philippe Von Borries (co-founder of Refinery29), Chris Corrado (Director of Capsule), Warren Fu (music video director for artists including Mark Ronson and The Strokes) and Soraya Darabi (founder of Foodspotting), Curators Conference will take place in a few weeks at the Walter Reade Theatre, Lincoln Center in New Yok City.


Here some more details: "...during New York Fashion Week on the 5th September , online channel Portable is presenting The Curators Conference, a day long event featuring the leading international curators and creatives across fashion, film, music, design and technology.


The event aims to, 'explore the many worlds where curation and creativity intersect with modern culture', hoping to inspire audiences and foster industry innovation."

(Source: Prote.in)



From the official site: "A day-long conference featuring the leading curators and creators of culture across fashion, film, music, interiors and design."


Tickets (start at $295): http://curatorsconference.eventbrite.com/


Find out more: http://portable.tv/curatorsconference



No comment yet.
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Curators: A Herculean Task Is Ahead of You - and Be Careful

Curators: A Herculean Task Is Ahead of You - and Be Careful | Content Curation World | Scoop.it

Steven Rosenbaum has an interesting article on Fast Company, outlining the reasons why curation is here to stay and the importance that curators will play in your information consumption diet.


He writes: "...So anyone who steps up and volunteers to curate in their area of knowledge and passion is taking on a Herculean task.


They're going to stand between the web and their readers, using all of the tools at their disposal to "listen" to the web, and then pull out of the data stream nuggets of wisdom, breaking news, important new voices, and other salient details.


It's real work, and requires a tireless commitment to being engaged and ready to rebroadcast timely material.


While there may be an economic benefit for being a "thought leader" and "trusted curator," it's not going to happen overnight.


Which is to say, being a superhero is often a thankless job.


The growth in content, both in terms of pure volume and the speed of publishing, has raised some questions about what best practices are in the curation space."


He also has some pretty straightforward advice on what, as a curator, you should never do:


"1. If you don't add context, or opinion, or voice and simply lift content, it's stealing.


2. If you don't provide attribution, and a link back to the source, it's stealing.


3. If you take a large portion of the original content, it's stealing.


4. If someone asks you not to curate their material, and you don't respect that request, it's stealing.


5. Respect published rights. If images don't allow creative commons use, reach out to the image creator--don't just grab it and ask questions later."


And he definitely has a point on all of these. 


Recommended. 7/10


Read the full article: http://www.fastcompany.com/1834177/content-curators-are-the-new-superheros-of-the-web?partner=rss 

Robin Good's comment, April 18, 2012 1:16 AM
Thank you Jonathan. Glad to be of help and inspiration to you.

Tony Gu's comment, April 20, 2012 1:30 AM
I am really enjoying reading this article.
I found that the way Robin Good curate this article truly practice the ‘No Stealing’ rules. Thanks for sharing this with all of us. Big up!
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Content Curators Will Be The New Great (Specialized) Newspapers [Video]

Robin Good: John McCarus, SVP for Brand Content at Digitas, ignites an interesting panel about content creation vs content curation.


This is the second in a series of three videos highlighting a 2012 conversation on the future of media on the social web organized by Ben Elowitz, CEO of Wetpaint.

The nicely edited video, brings up in its four minutes, some valuable takes and opinions on how curation is perceived, used and modulated to achieve different results and objectives.


From mere republishing and copying of someone else materials without attribution or credit (certainly not something to be categorized under "curation") to the new cadre of emerging journalists, who not only write, but also monitor, research, pre-digest and cull the most interesting content - not written by them - for their own audiences.


Key takeaways:


A curator is an editor, essentially. You become a trusted source by doing the hard work for your audience and telling them what’s important, whether you’ve written it or not.

Traditionally that’s been the role of great newspapers; now that function is being spread across the web.

Erick Schonfeld, TechCrunch


-> Publishers have a love / hate relationship with curators.


-> Curators help to expand a publisher’s reach, but the publisher risks losing credit (and traffic).


-> Curators who link back and republish only enough to pique interest will keep publishers happy.


It’s like the forest episode of Planet Earth: the animal eats the nectar and sort of destroys the plant but spreads the pollen all over.

Jason Hirschhorn, Media ReDEFined


Interesting. 7/10


Original video: http://vimeo.com/37553245 


Full article: http://digitalquarters.net/2012/02/video-rebooting-media-think-tank-content-creation-vs-curation/ 

Jeff Makana's comment, March 2, 2012 3:34 AM
Great improvements on delivery of content Robin, Your analysis give the reader added insights. In support and solidarity!
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Search Engines Will Increasingly Be Gateways To Curators & Collections Rather Than To Individual Tracks

Search Engines Will Increasingly Be Gateways To Curators & Collections Rather Than To Individual Tracks | Content Curation World | Scoop.it
Robin Good's insight:



Justin Fowler, co-founder of AudioPress, offers valuable insight into what the future of search and curation may be, by providing a relevant and sound pattern to look at: music.


He writes on TheNextWeb:

"Context is key for music, and that is where services like Songza and Beats Music are picking up tips from FM radio. These services are essentially using algorithms to help people discover new playlists, instead of discovering new songs. This allows for a marriage of both technology and human curation."


Accordingly, as time goes by, I expect to see search engines increasingly highlight and direct searchers to quality curators, hubs and on-topic collections and specialized resources, rather than to individual, one-topic-only pages.


Search engines will increasingly be gateways to curators and content collections rather than to individual tracks and pages.


This will be particularly true especially when you will query a topic, a theme or interest, or better yet, a musical genre.

In all of these situations, where you want to dive, discover and learn more about a topic, it is much better to be offered a selection of playlists, compilations, collections or hubs covering that theme rather than a specific song, product or artist.

That is, search and discoverability of content will rely more and more on intermediaries that will take on the load to make sense and organize in the best possible way, a specific realm of information (it can be a music genre, or the analysis of a biological topic) rather than  - as it happens today - provide a linear list of individual web pages that is supposed to cover that topic.


If the music industry, is, like other times before, an early indicator of how things will work out in the future, it makes a lot of sense to expect that the future of content discovery and search will be increasingly in the hands of curators, greatly helped and supported by sophisticated, but hackable and adjustable algorithms.


What do you think?



Rightful. Indicative of things to come. 8/10


Full article: http://trove.com/me/content/Cc1qT


Reading time: 4':20"










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Scooped by Robin Good
Scoop.it!

The Future of Search May Not Be About Google: It's You In The End Who Will Decide

The Future of Search May Not Be About Google: It's You In The End Who Will Decide | Content Curation World | Scoop.it
There is a evil side of Google which revealed itself in the Filter Bubble, invasion of privacy, the lack of transparency, in the monopoly induction of behavior and especially in what is happening in the search environment.
Robin Good's insight:



The future of search may not just be about Google and Bing. In the future of search, believe it or not, there are going to be a lot of people like you and me who will be providing much more helpful information guidance to specific requests than Google could ever do.


I know this sounds probably unrealistic to you, but I think there are now many good indications that this likely going to happen much sooner than you expect.


One of the key reasons why, human beings will start to reclaim this highly valuable search territory, is the fact that in the last few years we have slowly but deeply surrendered our ability to evaluate, decide and select what is "real" to Google's own algorithms, in ways that can only be detrimental to us.


You have probably read in recent times that Google is moving to use "semantic search" rather than the keyword-based approach it has been using until now. 


Do you know that "in semantic search, the decisions are not based on statistics, but rather on world models"?


"How about searching for "Dictators of the World?" The results, which include a list of famous dictators, are not just the judgment of whether someone is a dictator, but also an implicit judgment of choosing individual examples for the concept of a dictator. 


When building knowledge over concepts such as "Dictator" in the search engines, we are implicitly accepting a set of assumptions."


"It is needed to question and monitor these models, for in the past, the significance was only in the human mind. Now, it is also in the mind of the engines that forward us information. 


The search bears an editorial point of view, and its results reflect this point of view. 


We can’t ignore the assumptions behind these results. The invisible judgments will frame our conscience."


Here is a must read article by Zeh Fernandes, that wants to ignite an open discussion about "how the Google monopoly is affecting the way we search for and receive information on the internet".


I think that this is a topic deserving the highest attention and I highly recommend to read in full this excellent article, especially to content curators, information librarians and any other individual concerned with our future ability to vet, organize and make sense of the ocean of information surrounding us.


Alternative search tools and content curators are the future.



Good reminder of what we are eating daily. Insightful. Eye-opening. 10/10


Read this: http://zehfernandes.com/the-evil-side-of-google/ 








Claude Terosier's curator insight, January 13, 2014 2:44 AM

"we should worry about search engines becoming the arbiters of truth." De l'importance de comprendre comment on accède à l'information et de reprendre la main.

Stephen Dale's curator insight, January 13, 2014 5:58 AM

People who use Google are given the impression that they are interacting with the data out there, but they are actually interacting with Google and its view of the world.

 

"They are prediction engines that constantly refine a theory about who you are and what you are going to do or want next. Together, they create an universe of data for each one of us."

"In a 2010 paper published in the Scientific American journal, Tim Berners-Lee warned about companies developing ever more “closed” products and “data islands”.

"Morville, in his book Search Patterns, says that the first and second results receive 80% of attention. The vertical approach suggests to the user the idea of a single result that fully answers the question, enclosing possibilities and preventing alternative realization."


Or in other words, is our acceptance of what we see in search results eroding our ability (or willingness) to consider alternatives and employ critical thinking?

Mrs. Dilling's curator insight, February 13, 2014 11:52 AM

My favorite statement, "we must always be aware and well informed about the intentions of companies, and never stop having multiple options for any service."

 

This article was an eye opener for me. I had never questioned Google before.

Scooped by Robin Good
Scoop.it!

How Worthless Stuff on eBay Becomes Art and the Collector-Curator Becomes an Artist

How Worthless Stuff on eBay Becomes Art and the Collector-Curator Becomes an Artist | Content Curation World | Scoop.it

Robin Good: If you seriously and systematically curate a topic, your work may be soon considered as good as collector's art, not because of the individual value of each piece you include, but thanks to your ability to orchestrate a strong and consistent "theme".


In this article inspired by the Three Graces photographic collection who was recently bought by New York collector Peter J. Cohen, Deanna Alshad writes how much she likes Stephanie Terelak as she captures the essence of this photograph collection: "The lines of collector, curator, and artist are blurred in this case.


Individually, these photographs are worth very little, probably a few dollars on ebay I would guess.


But amassed, sorted, and curated in large specific groups, seemingly worthless stuff on ebay becomes art and the collector becomes artist, selecting each piece to belong to a greater whole that our best museums’ curators deemed worthy of their walls."


And then she adds: "This can nearly be said of any collection. Collections are works of art, like collages or mixed media projects — or bonsai trees.


Often continuously in process, collections are nearly alive with the story narrated by each individual collector’s act of collecting.


Each curates — feeds and prunes — for meaning and growth as well as with an artistic eye, to tell stories with objects."



Inspiring. Rightful. 8/10


Full article: http://www.inherited-values.com/2012/08/collectors-are-like-artists-collections-like-works-of-art/



No comment yet.
Rescooped by Robin Good from Social Media Content Curation
Scoop.it!

No More Media Gatekeepers: Curators Are All We Need

No More Media Gatekeepers: Curators Are All We Need | Content Curation World | Scoop.it

Giuseppe Mauriello: This is my “scoop” article for today. I found this article written by Suw Charman-Anderson in November of 2006 from her first professional blog “Strange Attractor”,  now permanently moved to charman-anderson.com.

 

Suw is journalist, social technologist consultant and writer, one of the UK’s social media pioneers. 

Returning to her article... the author describes the scenario of the digital industry at the time (2006), then she raises some interesting  points about the need of content curation and the importance of the curator role. Here are some gems excerpted from it:

We already have more movies available than any one person can watch; more videos on YouTube; more blogs… more everything. It’s not like we’re starting from a point of scarcity here. And the flood of stuff is going to turn into a rampaging torrent as more people get online and more people get excited by their ability to participate and create.

In the past, the media acted as gatekeepers.


They were the ones that went to the movie previews…
They were the ones who got the advance copy of the game…
They were the arbiters of taste, the people in the know, the ones with the connections needed to get at culture before us plebs got at it.

But we don’t need gatekeepers anymore. We don’t need people who stand between us and our stuff, deciding what to tell us about and what to ignore. We don’t need arbiters of taste.

We do, however, still need help. There’s just too much stuff around for us to know what’s out there, to keep up with what’s good, what works for us, what is worth investigation. What we need are curators.

We need people who can gather together the things that are of interest to us, things that fit with our tastes or challenge us in interesting ways, things that enrich our lives and help us enjoy our time rather than waste it on searching.

Curators already exist. Some are people: Bloggers who sift through tonnes of stuff in order to highlight what they like, and who, if you have the same taste as them, can be invaluable to discovering new things to like.


But curation of the web has barely started. Much of what you could call curation that exists today is flawed: too many noisy opinions and not enough capacity to understand what I as an individual want…

 

I loved this article and title that the author chose for it.

Read the original article here:
http://strange.corante.com/2006/11/08/the-democratisation-of-everything-and-the-curators-who-will-save-our-collective-ass


Via Giuseppe Mauriello
Dasom Ssomy Kim's comment, May 8, 2013 5:52 AM
Content curation, not gatekeeping. people can choose
Scooped by Robin Good
Scoop.it!

What Is Curation and Why It's So Relevant? [Video]

Robin Good: A great video animation introducing some of the key ideas, dreams and concepts behind content curation.

 

From the video: "One of the most beautiful things about the Internet is this sort of radical discovery, where you start in a place that you are familiar with, that you trust, and then you drill down and down and chase the white rabbit and then you end up in some wonderland you didn't know existed.


The clip includes thoughts from some unique curators, picked and selected by Percolate, the company sponsoring this video. 


Inspiring. Insightful. 8/10


Find out more / watch original video: http://vimeo.com/38524181   

No comment yet.
Rescooped by Robin Good from Curation, Social Business and Beyond
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How to Use “Curation” to Boost Content “Creation”

How to Use “Curation” to Boost Content “Creation” | Content Curation World | Scoop.it

This piece was written by Heba Hosny, a guest blogger for Lauralee Walker

 

This article is full of wonderful tips for taking your curation to the next level and embellish your original content.

 

"Content curation rewards are not limited to branding and SEO; it can also enhance the visibility and the quality of your own content."

 

There are many things that caught my attention, here are just a few gems:

 

Curated Content Can Inspire Topics For Created Content

 

If you don't master this one, all the other tips won't make any sense

 

****Understand which topics are irresistible to your target audience

 

My Commentary:

 

I love this one!

 

Here's the tip

 

****Instead of taking the easy route of sharing the topic with your audience, write a blog post to "build on" it.

 

You can build on a topic in different ways:

 

**Beg to differ politely

 

**Provide additional tips and insights

 

**Ask clarifying question(s)

 

My Commentary:

 

This is a great way to add "context" it can start conversations, which invites others to add their comments, bring new observations and more information about a particular topic.

 

**A perfect segue to building relationships, community, doing business and increasing knowledge.

 

Curated by Jan Gordon covering "Content Curation, Social Media & Beyond"

 

Read full article here: [http://bit.ly/sJs2I8]


Via janlgordon
janlgordon's comment, November 22, 2011 3:21 PM
Hi Beth,
I agree with you, I love the feeling of community and the collective wisdom, and you know "curation resonates with me":-)
janlgordon's comment, November 22, 2011 3:22 PM
Thanks so much for rescooping and sharing on twitter:-)
Pittsburgh Tote Bag Project's comment, November 25, 2011 9:17 PM
This has me thinking critically about how we are integrating social media. Inviting interaction has been a huge challenge. We are stimulating new conversations in real world time, but that's not reflected in comments and so forth. I like using Scoop.It widgets to get the newest scoop onto the bog in a timely manner and take some time to reflect on post content.