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Content Curation World
What a Content Curator Needs To Know: How, Tools, Issues and Strategy
Curated by Robin Good
Author: Robin Good   Google+
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Scooped by Robin Good
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44% of Links Go Lost: To Preserve Valuable Content Online Will Become a Prime Need

44% of Links Go Lost: To Preserve Valuable Content Online Will Become a Prime Need | Content Curation World | Scoop.it
Robin Good's insight:


According to this PDF report from the Chesapeak Digital Preservation Group, 44% of links go rotten.


(The Chesapeak group is comprised of four member libraries, the Georgetown Law and Harvard Law School Libraries, and the State Law Libraries of Maryland and Virginia.)


The study highlights not only how bad and real the issue is, but how rapidly it is worsening.


Here a few newsworthy highlights:


a) Link rot has increased from 8.3 to 44.3% in six years.


b) In 2013 government originated documents showed the largest percentage of linkrot. 


c) More than 50 percent of the materials posted to government  domains disappeared from the original documented web addresses.



N.B.: There is a high value in preserving non-trivial content in ways that allow reliable access for indefinite time at a permanent online address. (In theory search engines could provide this as an additional (and optionally paid) service to final users who request it, as this is part of what they already do by default. 


Informative. 8/10


Full original PDF report: http://cdm16064.contentdm.oclc.org/ui/custom/default/collection/default/resources/custompages/reportsandpublications/2013LinkRotReport.pdf  (8 pages)

(Image credit: Rotten apple by Shutterstock)

 


 




more...
Christel Binnie's comment, December 29, 2013 6:26 PM
Duh, of course. Thanks Robin. :-)
Peinture Deco's curator insight, January 3, 2:41 AM
Devis Peinture-Entreprise Peinture Déco-Essonne-91-Evry-Paris ...www.entreprisepeinturedeco.fr/devis-peintures/devis-peinture/‎Vous souhaitez avoir nos conseil sur comment choisir un devis peinture? Entreprise Peinture Déco-Essonne-91-Evry-Paris-toile de verre m2-prix.
pilar arroyo's curator insight, March 5, 1:08 PM

Scoop del maestro Robin Good en el que se evidencia la necesidad de preservar el contenido online, especialmente en el caso de información institucional y gubernamental que es la que tiene mayor índice de desaparición.

Scooped by Robin Good
Scoop.it!

Collaborative Curation and Personalization The Future of Museums: A Study Report

Collaborative Curation and Personalization  The Future of Museums: A Study Report | Content Curation World | Scoop.it

This report highlights a number of key trends that will have a significant impact on the user experience and design of future collections and museums.

Robin Good's insight:



Picture these scenarios:
 

  • The Victoria & Albert Museum, its collections depleted by massive repatriation, becomes a travel & tourism guide and international affairs ambassador in an increasingly globalized community
     
  • The Freud Museum, in the spirit of its namesake, becomes a provider of mental retreat and therapy (I wonder if the docents will be licensed psychoanalysis?)

These, according to the 40-page report Museums in a Digital Age” from Arups, may actually be some of the likely new profiles of prestigious museums 25 years from now.  


The report projects that:


"...future museums will see personalised content, new levels of sustainability and a visitor experience extended beyond present expectations of time and space."


  • A rising desire among audiences to shape their own cultural experiences (“Collaborative Curation”)
     
  • The opportunity for museum to become “curators of experiences” that extend beyond the boundaries of traditional exhibits or programs, or beyond the walls of the museum itself.


Source: http://futureofmuseums.blogspot.it/2013/11/museums-in-future-view-from-across-pond.html 

 
The idea of "collaborative curation" of museum collections by the actual users-visitors, is particularly fascinating. 

"Just as current consumer trends shift towards collaborative consumption, in the future, museums may employ new patterns of collaborative curation, allowing for individually curated experiences and giving the public greater control over both content and experience.

Increased visitor participation will allow people themselves to reinvent the museum experience, enabling content that can adapt to the preferences of users in real-time."


My comment: If you are a curator and are interested in exploring and understanding what the future of large collections and museums may look like and which forces are going to be driving such changes, this is a good report to read.


Insightful. Inspiring 8/10



Original Report: Museums in the Digital Age: 
http://www.arup.com/Publications/Museums_in_the_Digital_Age.aspx 


PDF: http://www.arup.com/~/media/Files/PDF/Publications/Research_and_whitepapers/2013_Arup_FRI_MuseumsintheDigitalAge_final_web.ashx 




more...
Jennifer Moss's curator insight, November 8, 2013 6:47 PM

This is like the 'Horizon Report' for museums. 

Jennifer Ryan's curator insight, November 10, 2013 5:04 PM

This is right up my alley. Looking forward to reading about trends and impacts.

Erica Bilder's curator insight, November 15, 2013 7:11 AM

I have nothing to add to Robin Good's terrific insights:

 Robin Good's insight:

 

 

Picture these scenarios:
 

The Victoria & Albert Museum, its collections depleted by massive repatriation, becomes a travel & tourism guide and international affairs ambassador in an increasingly globalized community
 The Freud Museum, in the spirit of its namesake, becomes a provider of mental retreat and therapy (I wonder if the docents will be licensed psychoanalysis?)

These, according to the 40-page report “Museums in a Digital Age” from Arups, may actually be some of the likely new profiles of prestigious museums 25 years from now.  

 

The report projects that:

 

"...future museums will see personalised content, new levels of sustainability and a visitor experience extended beyond present expectations of time and space."

 

A rising desire among audiences to shape their own cultural experiences (“Collaborative Curation”)
 The opportunity for museum to become “curators of experiences” that extend beyond the boundaries of traditional exhibits or programs, or beyond the walls of the museum itself.

 

Source: http://futureofmuseums.blogspot.it/2013/11/museums-in-future-view-from-across-pond.html ;

 The idea of "collaborative curation" of museum collections by the actual users-visitors, is particularly fascinating.  "Just as current consumer trends shift towards collaborative consumption, in the future, museums may employ new patterns of collaborative curation,allowing for individually curated experiences and giving the public greater control over both content and experience.
Increased visitor participation will allow people themselves to reinvent the museum experience, enabling content that can adapt to the preferences of users in real-time." 

 

My comment: If you are a curator and are interested in exploring and understanding what the future of large collections and museums may look like and which forces are going to be driving such changes, this is a good report to read.

 

Insightful. Inspiring 8/10



Original Report: Museums in the Digital Age: 
http://www.arup.com/Publications/Museums_in_the_Digital_Age.aspx ;

 

PDF: http://www.arup.com/~/media/Files/PDF/Publications/Research_and_whitepapers/2013_Arup_FRI_MuseumsintheDigitalAge_final_web.ashx